542 Royalty-Free Audio Tracks for "A Chord"

Short sample of a chord from a software synthesizer, distorted.

Strumming a single chord on a guitar.

Minor chord progression on mic'd acoustic guitar with a dirty sounding echo.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

I hit the body of the guitar while holding a d chord shape (in standard tuning). You will hear the chord trailing and fading out after the guitar hit.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

A chord processed, sounds like a guitar, high pitched.

A simple chords progression in c with a rhodes.

Chord progression on mic'd acoustic guitar. A major, c# minor, b minor, e major. Sm57.

2 channel, drop-d chord played on a reverend rocco through a hughes&kettner; tubeman ii on distortion channel.

A nice and wide sounding piano chord, using a digital piano sound i'm developing from public domain piano samples. Enjoy!.

Just a shower on/off chord being pulled in my bathroom.

Just a simple chord of a digital pad being played. It sounds relaxing, happy, calm, etc. Etc. Made with bandlab.

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

Fifteenth chord from Perry on C

A descending chord of open strings played on a violoncelo with pizzicato. Recorded in a home studio with a rhode nt-1 and universal audio 610 (flat response).

A vocal chord with crescendo and diminuendo ending with some pan flute recorded in big concert hall with olympus ls 11.

Ethereal sounding chord, g#maj. Made in ableton and a mix of sampling. I just love the sound.

A few different strums of the em chord on an acoustic guitar. Varying volumes and attacks present. Recorded using a tascam dr-40x over the air (no pickup).

A rhythmically vocoded synth chord progression.

A carefully balanced pad chord. Reminds me of 1996. Perfect for warm and relaxing edm / elektro / chillout.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box.

A noir-style vibraphone chord that might play when you find a clue or crack the case.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

A piano chord on my keyboard.

Electric guitar, mild gain. Repeating riff pattern up and down the fretboard.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

I just played a simple chord ( i hope that is correct) on my guitar. It is the d chord. Please leave comments and please rate.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Used as transition between scenes for a play. The chord is unusual but essentially a major chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

Used as transition between scenes for a play. The chord is unusual but essentially a minor chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

A slow chord progression played on electric guitar processed through a granulizer.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

A single grand piano chord (dark and moody) with an overly-loud pedal-up sound at the end.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-VI-I.

This is a future bass chord progression made with 3x osc, the chords are inversions of cm, ab, fm and gm in that order, you can do whatever you want with this :).

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

A chord progression played on electric guitar. Recorded direct through mixer > computer > energyxt.

Dirty rhodes piano chord - f major with a in the bass.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box very fast.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box very loosely.

The yamaha qy-10 is playing a cm chord thru zoom ms-70cdr and the modular synth plays a patch that improvises around a cm7 chord. Well, thats it. . .

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Pitched up hit could use for a happy hardcore riff.

A major chord + minor 7th with following samples (listed in order):an equal tempered arpeggiothe matching equal tempered chordan arpeggio with just intonationthe matching chord with just intontation.